Helen and I went for a day out in Dundee, taking a snoop round the grounds of DJCAD and also a visit to the world's smallest street market. We managed to get some nice shots using cracked concrete and graffiti as backgrounds which always works well for fashion shoots. The street market, organised by Richard Cook, took place on the site of one of Dundee's slums and now home to Richard's vintage spectacle shop.
Friday, 1 August 2014
Wardrobe Convos with the 35B
Helen and I went for a day out in Dundee, taking a snoop round the grounds of DJCAD and also a visit to the world's smallest street market. We managed to get some nice shots using cracked concrete and graffiti as backgrounds which always works well for fashion shoots. The street market, organised by Richard Cook, took place on the site of one of Dundee's slums and now home to Richard's vintage spectacle shop.
Monday, 30 June 2014
Kodak No.2 Brownie Model F
Type: | Box |
Year of release: | 1931 |
Country of origin: | U.S.A. |
Country of manufacture: | U.K. |
Film: | 120 roll film |
Image size: | 2 1/4 inches x 3 1/4 inches |
Lens: | Meniscus |
Viewfinder: | Reflecting waist level |
Construction: | Aluminium |
Available apertures: | 3 available, small, medium & large |
Available shutter speeds: | B, 1/50 |
Available ISO settings: | None |
Accessory Shoe: | None |
Tripod Bush: | Yes |
Available accessories (manufacturer): | None |
Wikipedia: | Click for Wikipedia entry |
Manual (.pdf): | - |
Tuesday, 20 May 2014
An old roll of Klick film.
Remember Klick? Are they still on the go? Turns out they are, only now owned by Max Speilmann which is owned in turn by Timpson which in turn, it appears, is about to be sucked into the gargantuan folds of Tesco. Such is the wonderful world of choice promised by free market capitalism.
Stuffed away in a box in the garage I found a few old rolls of Klick's own brand 35mm film which I'm now putting through the Rollei 35B. Although I sent my negs away to Peak Imaging for processing and printing (good, speedy service by the way) the whole process took me back to when I first started and would get my films developed on the high street. Having to pay for each roll of film then pay for it to be processed meant that it cost far more to take a picture back then than it does today. Not having much money, this is probably how I ended up developing my painfully slow shooting habit. A habit, which despite having shot on digital for the last ten years, I'm just beginning to break, or rather evolve.
I don't consider my style to be slow in the way that fine art photographers spend hours working on every minute visual and technical detail. I spend my time looking for emotional connections to my subject matter. The actual taking of the photograph I often do in a very fast photojournalistic manner - shoot and move on. But I like to spend time around the people or places I'm photographing, either physically or mentally. Then once I've ever so slowly found that emotional resonance, snap and the photo's done.
Stuffed away in a box in the garage I found a few old rolls of Klick's own brand 35mm film which I'm now putting through the Rollei 35B. Although I sent my negs away to Peak Imaging for processing and printing (good, speedy service by the way) the whole process took me back to when I first started and would get my films developed on the high street. Having to pay for each roll of film then pay for it to be processed meant that it cost far more to take a picture back then than it does today. Not having much money, this is probably how I ended up developing my painfully slow shooting habit. A habit, which despite having shot on digital for the last ten years, I'm just beginning to break, or rather evolve.
I don't consider my style to be slow in the way that fine art photographers spend hours working on every minute visual and technical detail. I spend my time looking for emotional connections to my subject matter. The actual taking of the photograph I often do in a very fast photojournalistic manner - shoot and move on. But I like to spend time around the people or places I'm photographing, either physically or mentally. Then once I've ever so slowly found that emotional resonance, snap and the photo's done.
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